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Dylan has cited the influence of Federico Fellini's movie La Strada on the song,[9][19] while other commentators have found echoes of the poetry of Arthur Rimbaud.[1][20][21] Author Howard Sounes has identified the lyrics "in the jingle jangle morning I'll come following you" as having been taken from a Lord Buckley recording.[19] Bruce Langhorne, who performs guitar on the track, has been cited by Dylan as the inspiration for the tambourine man image in the song.[9] Langhorne used to play a giant, four-inch-deep "tambourine" (actually a Turkish frame drum), and had brought the instrument to a previous Dylan recording session.[1][10][22][23]

Genre: Instrumental, Released in 1986 on the album Top Gun SoundtrackWhy Play: The new Maverick release of this movie makes for the perfect introduction for any wedding party members.

Hello. Thanks for the suggestion. Just for those romantic movie buffs and early 80s music fans, there is a great instrumental cover by Richard Clayderman that would work great into the wedding ceremony!

With reruns, DVD and downloads, this can be the gift that keeps on giving for advertisers. After all, the commercials that aired on the original broadcast aren't retained in any of these. Product placement is, at least most of the time, though there have been instances of company logos being digitally blurred out for things such as television broadcasts of movies, if the sponsoring company didn't pay for the additional product placement in these broadcasts. It can also backfire in the case of a 20 Minutes into the Future production that happens to feature a product or brand that in real life ceased to exist by the time the production was set (a prime example being Pan Am, an airline featured prominently in the 1968 film 2001: A Space Odyssey, which ceased to exist by the time the real 2001 rolled around. note Although the brand was resurrected by several short-lived airlines, one of which was active in 2001, and a railway, the original world-famous airline went bankrupt in 1991.)

Some viewers find product placement to be more offensive than sex, violence or the Seven Dirty Words, to the point where parental movie review websites often make a point of singling out films with excessive (or, sometimes, simply any) recognizable brands or products, especially children's works, whose target audience are vulnerable to unhealthy advertising.

The practice began in the early days of American radio, with companies lending their names to title programs as a way for funding them. The Secretary of Commerce, which licensed radio stations during most of the 1920s, prohibited direct advertising. By 1930, advertising was permitted, but the practice remained for years. Slowly the shows set themselves apart from the ads, with announcers shilling for a product, while the characters had an adventure. Product placement also was frequent during the early days of television, with characters shilling for their sponsor at the end of an episode. However, a quiz show scandal in 1958 forced networks to control their programs, instead of the sponsors. Product placement transitioned to movies until the mid-1990s, when TV regulators relaxed the rules against products appearing outside of ad breaks.

In the movie The Great Man a radio personality mentions name-brand products on the air for personal gain. The movie was made in 1956, making this Older Than They Think. Indeed, there is (possibly apocryphal) evidence that suggests that merchants in Ancient Greece would attempt to bribe playwrights at drama festivals for favorable mentions of items in their plays. Someone epically telling the audience how great figs are could be quite good for business.

I have to disagree with your point of view. The theater owner has nothing to do with the distribution of the content. Same day release is in direct competition with a theater owner. Why would anyone go to a theater when they could watch the same movie at home?

One of the problems is that movie theaters dont make much money during the first several weeks of a movie release. ive read anywhere from 70-100% of a debut weekend movie ticket sales goes to the movie company and the remaining percent (if any) goes to the theater. CNN reports its 70-80% on opening weekend, dropping in increments each week thereafter.

now, thats not to say movie theaters shouldnt work hard on bringing people in. turning movie going into a true experience should involve more than just the 2 hours you spend in your seat. from the moment you pull into the parking lot (valet?) to the moment you leave, theaters should be catering to you (quite possibly, literally)

So aside from asserting that this should be so, what valid evidence do you have that movie theater owners should abandon the fight to stop simoultaneous DVD release? Seems to me they have absolutely nothing to gain by seeing it happen, they get no additional at all. In fact, the position you advocate might help them fight against the current trend but if simoultaneous release became a reality it would pretty much be the nail in their coffin.

Some towns have movie theates where you sit at a bar or a standard dining table. A waitress comes by your table before the movie starts. Your food arrives shortly after, then the movie starts while you continue to eat, drink, whatever.

Many movie theaters today have abismal video/sound quality. If I go to a theater and see a blurred screen and sub-standard THX even when the THX logo is displayed, usnsatisfactory is a mild way to put it. I would rather deal with my crappy TV then pay much more money (on the movie and the popcorn) for something only marginally better.

How about this? Theater owners and filmmakers collaborate on selling DVDs *at* the theater after an audience has just seen the film. A moviegoer shows his/her ticket stub to confirm they just saw the film, they fork over $15-$20 for the DVD, and the theater and the filmmaker split the profits.

Because they have a small TV. Because they want a night out away from the kids (or away from their parents). Because they like watching movies on a huge screen with awesome sound. There are lots of reasons, and there could be many more if theaters got the hint and improved the experience.

add on to the fact that when the film does run perfect its generally the public thats causing its own disruption as people bring babies to action movies or small children to horror movies.. we cant stop them.. its thier right.. but after a few complaints we can say something to them.. problem is.. by the time we can say something.. everyone is pissed off and unhappy and god forbid something happens to the movie after that.

To have a better movie going experience. Why do people go out to restaurants when they have perfectly good kitchens in their home? Based on your logic, restaurants should be looking to ban in-home kitchens.

Most movies suck these days. Lately almost every movie has been a remake, a sequel, a prequel or some other rehash of an old used idea. Why should I risk a bad theater experience to watch a bad movie.

The only theater I go to anymore is Alamo Drafthouse. basically they have taken out every other row of seating and installed a bar where waiters serve food & drinks before and during the movie. It is a little more expensive, but is a much more entertaining and social way to see a movie. Not to mention you get to drink.

Also, there are no children aloud and they have special promotions for certain movies. Like with Spiderman they had a giant velcro wall with a trampoline. They gave you a velcro suit and let you launch yourself onto the wall. Another cool one they did was for Open Water, the one with the sharks. They played this movie on Lake travis in Austin, TX on a projector hanging over the water. Everyone was given a floatation device and they served food and drinks. That was a great experience to be floating in Open Water while watching Open Water.

You also have to look at the movie industry model right now. They spend a huge amount of money to promote the theater release and then another bundle at the DVD release time. This saves them a bundle and could easily allow the cost of movies to come down somewhat while still giving the industry an increase in profit.

These are the people who chat on the phone, talk during the movie, and act like unrestrained orangutans in heat (yeah buddy, kick my seat some more), and ruin it for the rest of us well mannered folk.

:: I have to disagree with your point of view. :: The theater owner has nothing to do with :: the distribution of the content. Same day :: release is in direct competition with a theater :: owner. Why would anyone go to a theater :: when they could watch the same movie at home?

The problem UNMENTIONED in this entry, is the fact that movie theatres generally are paying the studios all the box-office revenue for the first couple of weeks a movie is out, and only start making their PROFITS sometime after that. During those first crucial weeks, the box-office is dramatically effected by people who see the movie more than once, and in extreme cases, even more than that. This movie-going-behavior is immediately LOST by the studios on a DVD release.

1st. There were only movies. We watched in theatres. We enjoyed re-releases.2nd. VHS. Most people watched the movies. It came too late, and cost too much for the video, so we waited, then we rented. Eventually, the price dropped, and we bought. Copying/dubbing slow, poor, and real-time.3rd. DVD. Many people watched the movies. It came too late after the movie was released. So we waited, then we bought or rented. Rentals experienced a decline. Copying fast and high-quality.4th. DVD day & date? Few people watched movies. It came the same day, and easy digital copies from friends were dubbable that same day. Home entertainment centers and good planning created a better-controlled atmosphere than theatres for most avergae-to-affluent movie-goers. 2b1af7f3a8