Julia Kristeva Word Dialogue And

Julia Kristeva Word Dialogue And

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What allows a dynamic dimension to structuralism is his conception of the "literary word" as an intersection of textual surfaces rather than a point (a fixed meaning), as a dialogue among several writings: that of the writer, the addressee (or the character), and the contemporary or earlier cultural context.

These three dimensions or coordinates of dialogue are writing subject, addressee, and exterior texts. The word's status is thus defined horizontally (the word in the text belongs to both writing subject and addressee) as well as vertically (the word in the text is oriented toward an anterior or synchronic literary corpus.

A "full" reading of narrative axes is not possible in a bounded text because, like the dream in Freud's psychoanalysis, the text's dialogism is unbounded, as is the story of the intersections between the horizontal and vertical coordinates. But a reading strategy based in the identification of horizontal and vertical nar­ratives axes fosters relational readings, discourages "definitive" and bounded interpretations, and encourages a notion of the text as a multiplicitous and dy­namic site of repression and return. Such spatialized readings also allow us as readers to construct a "story" of the fluidly interactive relationship between the surface and palimpsestic depths of a given text--taking into account all the historical, literary, and psychic resonances that are embedded within the horizontal narrative and waiting to become narrated in the reading process. ldeally such a story is made up of a sequence of relational readings that at every point in the horizontal narrative examines its vertical component. The rich­est insights produced by a spatialized reading strategy may well reside in the way it potentially produces interpretations of the textual and political un­conscious of a given text or series of texts. But in general, spatializing narrative gives us a systematic way of approaching the various forms of narrative dialogism and of (re)connecting the text with its writer and world. In Kristeva's words, spatialization suggests an interpretive strategy that regards a text as "a dynamic..intersection of textual surfaces rather than a point (a fixed meaning), as a dialogue among several writings: that of the writer, the addressee..., and the contemporary or earlier cultural context" (De­sire 65). 2b1af7f3a8